FEATURED
What If
Director of Photography · 2026
A restrained visual approach to a story about two immigrants crossing paths in Manchester.
CINEMATOGRAPHY
LIGHT. FRAME. FEELING.
I approach cinematography as a way of shaping how an audience experiences a story. From intimate character-driven narratives to documentary and real-world environments, I use composition, light, movement and visual rhythm to create images that feel intentional while remaining connected to the reality of the story.
FEATURED
Toni the Barber
Director of Photography · 2026
Using portraiture, environment and naturalistic imagery to explore a barber's journey across Nigeria, Dubai and Manchester.
FEATURED
Homelessness
Co-DOP / Editor
A documentary approach centred on authenticity, lived experience and the environment surrounding Sheffield's homeless community.
VISUAL APPROACH
Composition
I look for frames that reveal something about the character, environment or relationship rather than simply creating visually pleasing images.
Light
I work with available and controlled light depending on what the story requires, balancing naturalism with a considered cinematic quality.
Camera movement
Movement is purposeful. Whether the camera is still, observational or moving with a character, the choice should support the emotional rhythm of the scene.
Lenses & perspective
Lens choice becomes part of the storytelling — controlling intimacy, distance, depth and the viewer's relationship with the subject.
Beyond the image
My cinematography is supported by experience across the wider camera and production workflow, including:
Camera Operation · Camera Assisting · Lighting · Rigging · Location Production · Multi-Camera · Documentary · Narrative
VISUAL GALLERY
